Alexplorer's Axe Hacks: Digitech 2120 patches Digitech 2120 patches The following are patches for use on the Digitech 2120 processor. These will work on other units as well, although there are some compatibility issues. For more about this, see Bruce James' indispensable and documentation. These are the same patches of mine featured on the, only they have been edited to be made compatible with the 2120. About the patches Some of these programs are different edits of the same patch, cases where I was trying out a different settings but didn't want to overwrite my original patches. As such, some of the names are repeated, although more often than not, the actual patches are noticeably different, usually in the preamp/EQ settings. You will find an overwhelming emphasis on a few guitarists (e.g., Eddie Van Halen, David Gilmour of Pink Floyd, and Eric Clapton). These happened to be who I was listening to predominantly when I was tweaking these settings. Guitar effect patches for the Digitech RP150. The RP Legacy Continues. DigiTech invented guitar multi-effects. They've satisfied more than a million RP owners. Wich one would you buy? Digitech 2101,2112 or 2120. The patches were, supposedly, designed by professional musicians of the time and. However, many of the variations depart from the signature sound of these players, so you will probably find some surprises. A final note: I was typically playing a standard Stratocaster through a Fender Ultimate Chorus amp when I generated the majority of these patches, so your results may vary. For better or for worse. Either way, these make good starting points for your own edits. Patches: • - The name says it all. • - A smooth lead sound. • - The classic 'You Really Got Me' sound. • - A clean Strat sound good for 'Finish What Ya Started' from OU812. • - A good Pink Floyd rhythm patch similar to the 'Run Like Hell' repeating figure. • - A crazy sound produced by an extremely short delay with a lot of feedback. • - Crunchy with a wah. • - Based on the factory preset. • - Just what it sounds like. Funk in A minor. • - Richly phased with thick distortion. • - Fun with auto-wah. Sounds like a keyboard effect. • - Tight distortion with too many effects. • - The 'brown sound' of Eddie with some chorusing to smooth it over. • - An approximation of a Clapton sound. • - Good slapback delay like on a Gene Vincent or Eddie Cochran record. • - The clean sound from the Pink Floyd track of the same name. • - The dropped octave distorted sound from the Pink Floyd track of the same name. • - Like you're listening to him from the edge of the crowd. Loads of reverb. • - The classic 'scooped' sound like on '.And Justice for All.' • - The name says it all. • - An attempt at the Led Zep sound of the same name. • - The clean chorused sound from the Van Halen track of the same name. • - The dropped octave distorted sound from the Pink Floyd track(s) of the same name. • - A kind of detuned/chorused sound to smooth over tight distortion. • - Much phasing and delay like on the Pink Floyd track of the same name. • - Trashy blues patch. • - Another blues patch. • - Not too distorted, just enough. • - Swirly phasing on a grungy patch. • - A good tight distorted lead tone with loads of sustain. • - Another good Pink Floyd rhythm patch. • - Midrange scoop like Metallica. • - Translation: With a little more work maybe this could sound like Clapton. • - Autowah and distortion emulate the keyboard part on the Van Halen track of the same name. • - Silly name for a good lead sound.
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Март 2019
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